In The Day After, South Korean auteur Hong Sang-soo employs stylish monochromatic photography and an intoxicating variety of artful techniques to tell a self-reflexive, modern moral tale with shades of gray.
In Beauty and the Dogs, Tunisian director Kaouther Ben Hania employs innovative cinematic techniques to tell a vital and uncompromising tale of female empowerment, but an overall lack of subtlety detracts from the bite of her film.
Taylor Cherry reviews Mudbound, the Netflix original film that earned several nominations throughout the film industry awards season.
Jason Furhman kicks off the Madison Film Forum tradition of breaking down the “Big Three” categories at the 2018 Wisconsin Film Festival. This year, Jason focuses on the particularly strong contingent of international films made by female directors.