An expansive, flamboyant and all but apocalyptic look at the underbelly of café society, Federico Fellini’s La dolce vita captures the alluring emptiness of our image-saturated consumer culture nearly sixty years after its premiere. […]
In his Cinesthesia program notes, Jason Fuhrman traces the evolution of Stanley Kubrick’s 2001: A Space Odyssey from a nascent speculation on humanity’s role in the cosmos to a monumental work of cinematic poetry that permanently altered movies and our collective imaginations. […]
In his Cinesthesia program notes, Jason Fuhrman explains how If….,Lindsay Anderson’s controversial and surreal portrait of boarding school life, overcame many obstacles to reach British screens and became an essential film of the 1960s. […]
In his Cinesthesia program notes, Jason Fuhrman explains how Robert Altman took the tragic tale of a stubborn gambler and a feisty madam and reinvented the modern western with his 1971 classic, McCabe and Mrs. Miller. […]
Attend: Program Notes Magnolia | Paul Thomas Anderson | US | 1999 | 188 minutes Cinesthesia, Madison Public Library Central Branch, Thursday, January 4, 5:30pm» In his Cinesthesia program notes, Jason Fuhrman suggests that the […]
In his Cinesthesia program notes, Jason Fuhrman suggests that Alfonso Cuarón’s dystopian thriller Children of Men has become even more relevant ten years after its release. […]
In his Cinesthesia program notes, Jason Fuhrman celebrates the near-perfect achievement of Terrence Malick’s second feature, Days of Heaven. […]
James Kreul previews the second night of the OFF THE WALL video art series at Arts + Literature Laboratory, and laments that Madison hasn’t kept up with contemporary experimental media. […]
James Kreul takes a peek at the first installment of this year’s OFF THE WALL video art series, which returns to the Arts + Literature Laboratory on Saturday, August 5. […]
In his Cinesthesia program notes, Jason Fuhrman argues that the bleak future envisioned thirty years ago in Paul Verhoven’s RoboCop seems curiously familiar. […]
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