Review: THE CHILDHOOD OF A LEADER at CTEK Fri Sep 30, 7:00pm
James Kreul suggests that The Childhood of a Leader might have worked better as a genre film, rather than the art cinema that it aspires to be. […]
James Kreul suggests that The Childhood of a Leader might have worked better as a genre film, rather than the art cinema that it aspires to be. […]
Grant Phipps examines the often overlooked feature debut from Jacques Rivette (L’amour fou, La Belle Noiseuse) […]
Edwanike Harbour caught up with the third and final theatrical screening of The Fits in Madison. She argues that Anna Rose Holmer’s enigmatic directorial debut vividly illuminates the experience of adolescence and girlhood. […]
James Kreul meditates on the range of his responses to the anti-comedy and funny staging of Zach Weintraub’s Slackjaw. […]
Emily Caulfield concludes Madison Film Forum’s coverage of the UW Cinematheque’s Brian De Palma series with an ode to one of his most celebrated films, Body Double. […]
The latest drama from Anne Fontaine (Gemma Bovary) is a subtle and moving tribute to women who have harnessed the power of their shared experience to face adversity. […]
Erik Oliver suggests that despite having characteristics of Brian De Palma’s better films, Raising Cain also indulges his worst tendencies as he fails to transform its pulpy material. […]
Mushi Productions’ Belladonna of Sadness pushes to extremes the tension between motion and stillness often found in Japanese animation (“anime”) to great aesthetic effect. James Kreul argues that despite a decidedly 1970s male-fantasy (and a little rapey) take on sex and power, the film delivers a uniquely rich and textured visual experience. […]
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