Emily Caulfield reviews Faces Places from legendary French filmmaker Agnès Varda and photo-muralist JR, which kicks off the Spring 2018 schedule at UW Cinematheque. The film assembles a quilt-like portrait of France-at-large by piecing together the small stories of everyday life. […]
Hong Sang-soo’s charming absurdist allegory Yourself and Yours takes a modern look at the renewable spirit of romantic love, the fluidity of self and identity, and the idea that maybe we should all just get a drink and get along. Emily Caulfield reviews the film to continue our 10-day Wisconsin Film Festival preview. […]
Kati Kati delivers a high concept ghost story set in a mysterious limbo between life and afterlife, from a new generation of African filmmakers who make a strong case for more indigenous filmmaking. Emily Caulfield continues our 10-day Wisconsin Film Festival preview with her review. […]
Emily Caulfield concludes our coverage of WUD Film’s Directress Film Festival with a look at Canadian animator Ann Marie Fleming’s latest feature, Window Horses. […]
Emily Caulfield explores Lucile Hadzihalilovic’s stunning Evolution, which screens this Saturday as part of WUD Film’s Directress Film Festival. […]
Emily Caulfield reminds us that John Waters’ Multiple Maniacs still has more than shock value after all these years. […]
Emily Caulfield concludes Madison Film Forum’s coverage of the UW Cinematheque’s Brian De Palma series with an ode to one of his most celebrated films, Body Double. […]
Emily Caulfield contemplates the opportunities lost and found with the on-screen reunion of Isabelle Huppert and Gerard Depardieu in Valley of Love. […]
Review: One Screening Only Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? | Anthony Newley | UK | 1969 | 106 minutes UW Cinematheque, 4070 Vilas Hall, Friday, February 5, 7:00pm» All the […]
Missed Madison Film Festival Love | Gaspar Noé | France | 2015 | 135 minutes Netflix | GoWatchIt Emily Caulfield argues that Gaspar Noé’s latest provocation is just as messy and alive as anyone in […]
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